A tenor looks beyond opera and explores being a black man in America
Lawrence Brownlee is among the most celebrated bel canto tenors alive. He regularly sings at the major opera companies around the world, and at 46, he’s at the peak of his career. Where do you go from there?
In Brownlee’s case, you commission new work exploring, in song, the experience of being a black man in America.
Brownlee is front and center in Washington this month. On Friday, he takes the tenor lead in Washington Concert Opera’s production of Rossini’s “Zelmira,” one of the less-performed serious operas by a composer best remembered for his comic romps. On Thursday, he appears in recital with Vocal Arts DC at the Kennedy Center. Washington has long been a kind of artistic home for Brownlee, going back to multiple appearances at Vocal Arts and the Washington National Opera, the Virginia Opera and even as a young artist at Wolf Trap in 2001. (He was going to return to Wolf Trap in the summer of 2002 but was invited to make his La Scala debut then.) Read more >