Press

Style 1

Press Quotes

January 28, 2019
"Brownlee was able to give the character a flawless voice and a natural likeability. One of the foremost bel canto tenors on the scene today, his vibrant tone matched the youthful passion of his character."
April 27, 2018
“His artistic presentation, emotional face and unbeatable charm complemented the beautiful tone and amazing range of his voice. Brownlee impressed the audience with his long, high notes, especially at the triumphal ending of the aria. What a great high C!”
October 6, 2018
"His romantic phrases are very lyrical and effortless in every register, and his charming smile adds to his sparkling high notes."
November 4, 2018
“Brownlee and Spyres are tenors who are out of this world, for whom really no C goes too high. They beautifully matched the sound of the resonant Residentie Orkest and conductor Michael Balke.”
January 28, 2019
"Making in his debut in the role, tenor Lawrence Brownlee brings real warmth to his early scene with Elliott and tenderness to his duets (on and offstage) with soprano Andrea Carroll’s Leïla."
April 25, 2018
"A new Brownlee emerged as he sung these songs. A brilliant edge was added to the lovely lyricism of the voice we have come to know. Anguish, desperation, and sadness are all painted in his darker tones, often richly textured in the lower registers.”
June 10, 2018
"A true revelation in this Don Pasquale, Lawrence Brownlee enchants us throughout the opera and even in a teenager's sweatshirt and cap he moves us with "Povero Ernesto!" as well as the distant "Com'e gentil a Notte," sung backstage."
January 29, 2019
"The tenor role of Nadir, Zurga’s best friend, was played in outstanding fashion by Lawrence Brownlee, whose liquid tones perfectly suited the role."
January 20, 2019
"the radiant singer brought many in attendance to their feet"
February 23, 2019
“[Brownlee’s] bel canto moves and silver-sheen sound add up to his superpower. At one point, he held a high note so long that Owens jested by checking his watch-arm for the time.”
January 28, 2020
"As Fernand, Lawrence Brownlee — coming off last weekend’s “Giving Voice” solo recital — steers his supple tenor through a similarly broad emotional range... his low-key delivery effectively conceals his inner turmoil, but the center can only hold for so long: In his final scenes, Fernand’s despair becomes increasingly evident as Brownlee approaches the upper limits of his register."
March 25, 2019
"The tenor Lawrence Brownlee also made a stunning vocal contribution to the evening, first with a velvety, caressing version of “Un’ aura amorosa” from Mozart’s Cosi fan Tutte, followed by a delightful, joyous rendition of Donizetti’s “Ah mes amis…” from La fille du regiment. Never have all those high C’s been dispatched more effortlessly or beautifully."
June 9, 2018
"For his part, Lawrence Brownlee constitutes the evening's lovely surprise, Ernesto propelled by a delightful, diaphanous di grazia tenor voice."
September 30, 2019
"Anchoring the cast is an absolutely bravura performance from tenor Lawrence Brownlee, singing with unrivaled sweetness and astonishing flexibility, executing Rossini’s complex and intricate runs with flair and ease. Brownlee’s excellent comic timing and the delicate vulnerability in his acting made him an audience favorite...."
June 10, 2018
"The American tenor Lawrence Brownlee is an Ernesto with a warm and soft timbre...he excels in his serenade."
November 1, 2018
"a pair of dynamite performers"
June 18, 2018
"As a teenager addicted to his phone, Lawrence Brownlee is remarkably natural in the role of Ernesto. One will never sufficiently underline the elegance of this singer, too rare on Parisian stages. All is fluid, linked, clear and direct, with beautiful colors that aptly translate the emotions of adolescence."
April 8, 2018
"Indeed, there may be no better or more agile bel canto tenor on the scene today than Brownlee...the singer commands a stellar technique and honeyed tone that makes his high notes ring with characteristic warmth."
September 29, 2019
"Brownlee... certainly delivered the goods Saturday night. His tenor has a dark cast that gave his Almaviva a virile, resolute authority."
April 6, 2019
"Lawrence Brownlee strode onto the stage brimming with confidence for Ilo’s entrance aria, “Terra amica.” The American tenor delivered this extraordinary firebolt piece, which he revived in his Vocal Arts DC recital in 2016, with show-stopping authority. High notes rang with authority, including an endlessly sustained final note, and the complex runs and arpeggios crackled with verve in the concluding cabaletta. Although Brownlee was in excellent voice throughout, in both ensembles and arias, this piece was a tour de force."
June 10, 2018
“Lawrence Brownlee is an Ernesto with clear high notes, exalted in a full voice and soft in a mixed voice. The timbre is rich and warm, notably in the medium and the neat legato. When low, the timbre is full-bodied and pleasant. His light vibrato maintains a contained and regular rhythm. His phrasing most often shows his courage, but he's able to become delicate in his duo with Nadine Sierra.”
September 29, 2019
"Tenor Lawrence Brownlee wrung every possible ounce of humor from the role of Count Almaviva... [he] finessed the dizzying flurries of notes assigned to the Count without sacrificing beauty of sound. His physical humor was a delight to behold."
January 30, 2019
"Brownlee, in his role as the love-sick Nadir, was earnest and convincing, and his silky, gorgeous timbre in the the pianissimo sections “Oh divine ecstasy!” was among the vocal highlights of the night."
April 26, 2018
“The warmth and vibrancy of his voice fit the needs of the music exquisitely [in the Dichterliebe]…in [Cycles] the singer absolutely commanded the stage and sounded gorgeous even in the most dissonant sections.”
January 28, 2019
"Brownlee, as Nadir, has no peer with this type of lyric tenor hero, where clarity and beauty of tone speaks pages."

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Press Quotes

January 28, 2019
"Making in his debut in the role, tenor Lawrence Brownlee brings real warmth to his early scene with Elliott and tenderness to his duets (on and offstage) with soprano Andrea Carroll’s Leïla."
June 18, 2018
"As a teenager addicted to his phone, Lawrence Brownlee is remarkably natural in the role of Ernesto. One will never sufficiently underline the elegance of this singer, too rare on Parisian stages. All is fluid, linked, clear and direct, with beautiful colors that aptly translate the emotions of adolescence."
March 25, 2019
"The tenor Lawrence Brownlee also made a stunning vocal contribution to the evening, first with a velvety, caressing version of “Un’ aura amorosa” from Mozart’s Cosi fan Tutte, followed by a delightful, joyous rendition of Donizetti’s “Ah mes amis…” from La fille du regiment. Never have all those high C’s been dispatched more effortlessly or beautifully."
June 9, 2018
"For his part, Lawrence Brownlee constitutes the evening's lovely surprise, Ernesto propelled by a delightful, diaphanous di grazia tenor voice."
January 20, 2019
"the radiant singer brought many in attendance to their feet"
June 10, 2018
"The American tenor Lawrence Brownlee is an Ernesto with a warm and soft timbre...he excels in his serenade."
April 8, 2018
"Indeed, there may be no better or more agile bel canto tenor on the scene today than Brownlee...the singer commands a stellar technique and honeyed tone that makes his high notes ring with characteristic warmth."
February 23, 2019
“[Brownlee’s] bel canto moves and silver-sheen sound add up to his superpower. At one point, he held a high note so long that Owens jested by checking his watch-arm for the time.”
January 28, 2019
"Brownlee was able to give the character a flawless voice and a natural likeability. One of the foremost bel canto tenors on the scene today, his vibrant tone matched the youthful passion of his character."
January 29, 2019
"The tenor role of Nadir, Zurga’s best friend, was played in outstanding fashion by Lawrence Brownlee, whose liquid tones perfectly suited the role."
April 27, 2018
“His artistic presentation, emotional face and unbeatable charm complemented the beautiful tone and amazing range of his voice. Brownlee impressed the audience with his long, high notes, especially at the triumphal ending of the aria. What a great high C!”
January 28, 2020
"As Fernand, Lawrence Brownlee — coming off last weekend’s “Giving Voice” solo recital — steers his supple tenor through a similarly broad emotional range... his low-key delivery effectively conceals his inner turmoil, but the center can only hold for so long: In his final scenes, Fernand’s despair becomes increasingly evident as Brownlee approaches the upper limits of his register."
April 26, 2018
“The warmth and vibrancy of his voice fit the needs of the music exquisitely [in the Dichterliebe]…in [Cycles] the singer absolutely commanded the stage and sounded gorgeous even in the most dissonant sections.”
January 30, 2019
"Brownlee, in his role as the love-sick Nadir, was earnest and convincing, and his silky, gorgeous timbre in the the pianissimo sections “Oh divine ecstasy!” was among the vocal highlights of the night."
April 25, 2018
"A new Brownlee emerged as he sung these songs. A brilliant edge was added to the lovely lyricism of the voice we have come to know. Anguish, desperation, and sadness are all painted in his darker tones, often richly textured in the lower registers.”
November 4, 2018
“Brownlee and Spyres are tenors who are out of this world, for whom really no C goes too high. They beautifully matched the sound of the resonant Residentie Orkest and conductor Michael Balke.”
October 6, 2018
"His romantic phrases are very lyrical and effortless in every register, and his charming smile adds to his sparkling high notes."
June 10, 2018
“Lawrence Brownlee is an Ernesto with clear high notes, exalted in a full voice and soft in a mixed voice. The timbre is rich and warm, notably in the medium and the neat legato. When low, the timbre is full-bodied and pleasant. His light vibrato maintains a contained and regular rhythm. His phrasing most often shows his courage, but he's able to become delicate in his duo with Nadine Sierra.”
November 1, 2018
"a pair of dynamite performers"
April 6, 2019
"Lawrence Brownlee strode onto the stage brimming with confidence for Ilo’s entrance aria, “Terra amica.” The American tenor delivered this extraordinary firebolt piece, which he revived in his Vocal Arts DC recital in 2016, with show-stopping authority. High notes rang with authority, including an endlessly sustained final note, and the complex runs and arpeggios crackled with verve in the concluding cabaletta. Although Brownlee was in excellent voice throughout, in both ensembles and arias, this piece was a tour de force."
September 30, 2019
"Anchoring the cast is an absolutely bravura performance from tenor Lawrence Brownlee, singing with unrivaled sweetness and astonishing flexibility, executing Rossini’s complex and intricate runs with flair and ease. Brownlee’s excellent comic timing and the delicate vulnerability in his acting made him an audience favorite...."
June 10, 2018
"A true revelation in this Don Pasquale, Lawrence Brownlee enchants us throughout the opera and even in a teenager's sweatshirt and cap he moves us with "Povero Ernesto!" as well as the distant "Com'e gentil a Notte," sung backstage."
September 29, 2019
"Brownlee... certainly delivered the goods Saturday night. His tenor has a dark cast that gave his Almaviva a virile, resolute authority."
January 28, 2019
"Brownlee, as Nadir, has no peer with this type of lyric tenor hero, where clarity and beauty of tone speaks pages."
September 29, 2019
"Tenor Lawrence Brownlee wrung every possible ounce of humor from the role of Count Almaviva... [he] finessed the dizzying flurries of notes assigned to the Count without sacrificing beauty of sound. His physical humor was a delight to behold."

Style 4

Press Quotes

January 28, 2019
"Brownlee was able to give the character a flawless voice and a natural likeability. One of the foremost bel canto tenors on the scene today, his vibrant tone matched the youthful passion of his character."
March 25, 2019
"The tenor Lawrence Brownlee also made a stunning vocal contribution to the evening, first with a velvety, caressing version of “Un’ aura amorosa” from Mozart’s Cosi fan Tutte, followed by a delightful, joyous rendition of Donizetti’s “Ah mes amis…” from La fille du regiment. Never have all those high C’s been dispatched more effortlessly or beautifully."
January 29, 2019
"The tenor role of Nadir, Zurga’s best friend, was played in outstanding fashion by Lawrence Brownlee, whose liquid tones perfectly suited the role."
June 18, 2018
"As a teenager addicted to his phone, Lawrence Brownlee is remarkably natural in the role of Ernesto. One will never sufficiently underline the elegance of this singer, too rare on Parisian stages. All is fluid, linked, clear and direct, with beautiful colors that aptly translate the emotions of adolescence."
January 28, 2019
"Making in his debut in the role, tenor Lawrence Brownlee brings real warmth to his early scene with Elliott and tenderness to his duets (on and offstage) with soprano Andrea Carroll’s Leïla."
June 10, 2018
“Lawrence Brownlee is an Ernesto with clear high notes, exalted in a full voice and soft in a mixed voice. The timbre is rich and warm, notably in the medium and the neat legato. When low, the timbre is full-bodied and pleasant. His light vibrato maintains a contained and regular rhythm. His phrasing most often shows his courage, but he's able to become delicate in his duo with Nadine Sierra.”
January 28, 2020
"As Fernand, Lawrence Brownlee — coming off last weekend’s “Giving Voice” solo recital — steers his supple tenor through a similarly broad emotional range... his low-key delivery effectively conceals his inner turmoil, but the center can only hold for so long: In his final scenes, Fernand’s despair becomes increasingly evident as Brownlee approaches the upper limits of his register."
October 6, 2018
"His romantic phrases are very lyrical and effortless in every register, and his charming smile adds to his sparkling high notes."
January 20, 2019
"the radiant singer brought many in attendance to their feet"
June 10, 2018
"The American tenor Lawrence Brownlee is an Ernesto with a warm and soft timbre...he excels in his serenade."
September 29, 2019
"Tenor Lawrence Brownlee wrung every possible ounce of humor from the role of Count Almaviva... [he] finessed the dizzying flurries of notes assigned to the Count without sacrificing beauty of sound. His physical humor was a delight to behold."
January 30, 2019
"Brownlee, in his role as the love-sick Nadir, was earnest and convincing, and his silky, gorgeous timbre in the the pianissimo sections “Oh divine ecstasy!” was among the vocal highlights of the night."
April 8, 2018
"Indeed, there may be no better or more agile bel canto tenor on the scene today than Brownlee...the singer commands a stellar technique and honeyed tone that makes his high notes ring with characteristic warmth."
February 23, 2019
“[Brownlee’s] bel canto moves and silver-sheen sound add up to his superpower. At one point, he held a high note so long that Owens jested by checking his watch-arm for the time.”
June 10, 2018
"A true revelation in this Don Pasquale, Lawrence Brownlee enchants us throughout the opera and even in a teenager's sweatshirt and cap he moves us with "Povero Ernesto!" as well as the distant "Com'e gentil a Notte," sung backstage."
September 30, 2019
"Anchoring the cast is an absolutely bravura performance from tenor Lawrence Brownlee, singing with unrivaled sweetness and astonishing flexibility, executing Rossini’s complex and intricate runs with flair and ease. Brownlee’s excellent comic timing and the delicate vulnerability in his acting made him an audience favorite...."
November 1, 2018
"a pair of dynamite performers"
September 29, 2019
"Brownlee... certainly delivered the goods Saturday night. His tenor has a dark cast that gave his Almaviva a virile, resolute authority."
April 27, 2018
“His artistic presentation, emotional face and unbeatable charm complemented the beautiful tone and amazing range of his voice. Brownlee impressed the audience with his long, high notes, especially at the triumphal ending of the aria. What a great high C!”
April 6, 2019
"Lawrence Brownlee strode onto the stage brimming with confidence for Ilo’s entrance aria, “Terra amica.” The American tenor delivered this extraordinary firebolt piece, which he revived in his Vocal Arts DC recital in 2016, with show-stopping authority. High notes rang with authority, including an endlessly sustained final note, and the complex runs and arpeggios crackled with verve in the concluding cabaletta. Although Brownlee was in excellent voice throughout, in both ensembles and arias, this piece was a tour de force."
April 26, 2018
“The warmth and vibrancy of his voice fit the needs of the music exquisitely [in the Dichterliebe]…in [Cycles] the singer absolutely commanded the stage and sounded gorgeous even in the most dissonant sections.”
June 9, 2018
"For his part, Lawrence Brownlee constitutes the evening's lovely surprise, Ernesto propelled by a delightful, diaphanous di grazia tenor voice."
November 4, 2018
“Brownlee and Spyres are tenors who are out of this world, for whom really no C goes too high. They beautifully matched the sound of the resonant Residentie Orkest and conductor Michael Balke.”
April 25, 2018
"A new Brownlee emerged as he sung these songs. A brilliant edge was added to the lovely lyricism of the voice we have come to know. Anguish, desperation, and sadness are all painted in his darker tones, often richly textured in the lower registers.”
January 28, 2019
"Brownlee, as Nadir, has no peer with this type of lyric tenor hero, where clarity and beauty of tone speaks pages."